We have reason to believe that short plays will play a greater role in emotional

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Escape from the British Museum which was fully released on Kuaishou Douyin  and other platforms during the summer also proved the powerful appeal of short plays in quickly mobilizing the audiences emotions and stimulating feelings about home and country. Compared with long dramas short dramas are often closer to ordinary audiences in terms of story characters camera angles aesthetic styles etc. and can carry a more downtoearth realism. Take the short drama TwentyNine jointly produced by Ningmeng Pictures and Douyin in the first quarter of this year as an example.

The reason why this drama has achieved both traffic and wordofmouth success is not only because it has the quality of a TV series but also because it has no The suspended plot makes the aud Job Seekers Phone Numbers List ience empathize and truly presents the collective plight of women in the workplace and life. In the short drama Beyond a spinoff of The Young Lion Beyond! In Ah Juan we will also see an ordinary person who still insists on his ideals even if his law of life is questioned by everyone. It can be seen that the form itself does not determine the level of cultural value. Microshort dramas can be small but not weak short but not shallow.



They can use their unique advantages to focus on social issues explore core values and present them in small incisions. A grand theme of the times. The transformation of short plays from rough processing to finishing also reflects the gradual improvement of the audiences cultural consumption needs.  comfort social care cultural inheritance etc. in the future. the value of. For the entire film and television industry short dramas and medium and longlength dramas have never been in a competitive relationship. Instead they can cooperate in depth in aspects such as IP derivation mutual learning of models and longterm and shortterm cooperation to jointly meet the increasingly strong and diverse spiritual needs of the audience.